The Opera Quarterly

Articles

The Opera Quarterly: Volume 18, Number 2 Spring 2002
Opera Quarterly 2002 18: i-iv; doi:10.1093/oq/18.2.i [PDF] [Request Permissions]  

Quarter Notes
Opera Quarterly 2002 18: 153-154; doi:10.1093/oq/18.2.153 [PDF] [Request Permissions]  

Bruce Burroughs

In Review: Met Stars Sing Verdi
Opera Quarterly 2002 18: 155-182; doi:10.1093/oq/18.2.155 [Abstract] [PDF] [Request Permissions]  

William A. Everett

National Opera in Croatia and Finland, 1846–1899
Opera Quarterly 2002 18: 183-200; doi:10.1093/oq/18.2.183 [PDF] [Request Permissions]  

René Seghers

Romanian Rhapsody: Conversations with Mariana Nicolesco and Nicolae Herlea
Opera Quarterly 2002 18: 201-218; doi:10.1093/oq/18.2.201 [Abstract] [PDF] [Request Permissions]  

Elizabeth Nash

A Day with Camilla Williams
Opera Quarterly 2002 18: 219-230; doi:10.1093/oq/18.2.219 [Abstract] [PDF] [Request Permissions]  

Andrew Farkas

Interrupted Melody: Otto Klemperer, Lohengrin, and Budapest
Opera Quarterly 2002 18: 231-244; doi:10.1093/oq/18.2.231 [PDF] [Request Permissions]  

Alan W. Agol

OperaKrostik
Opera Quarterly 2002 18: 245-247; doi:10.1093/oq/18.2.245 [PDF] [Request Permissions]  

James Wierzbicki

Italian Opera in Late Eighteenth-Century London Volume 2: The Pantheon Opera and Its Aftermath 1789–1795
Opera Quarterly 2002 18: 248-251; doi:10.1093/oq/18.2.248 [PDF] [Request Permissions]  

Stephen A. Willier

Heart to Heart: Expressive Singing in England 1780–1830
Opera Quarterly 2002 18: 252-257; doi:10.1093/oq/18.2.252 [PDF] [Request Permissions]  

Eugene H. Cropsey

Opera on the Road: Traveling Opera Troupes in the United States, 1825–60
Opera Quarterly 2002 18: 257-261; doi:10.1093/oq/18.2.257 [PDF] [Request Permissions]  

Tom Kaufman

French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style
Opera Quarterly 2002 18: 262-266; doi:10.1093/oq/18.2.262 [PDF] [Request Permissions]  

Robert Baxter

Last Acts: The Operas of Puccini and His Italian Contemporaries from Alfano to Zandonai
Opera Quarterly 2002 18: 266-269; doi:10.1093/oq/18.2.266 [PDF] [Request Permissions]  

Books Received
Opera Quarterly 2002 18: 269-270; doi:10.1093/oq/18.2.269 [PDF] [Request Permissions]  

Roger Pines

Orfeo ed Euridice. Christoph Willibald von Gluck
Opera Quarterly 2002 18: 271-273; doi:10.1093/oq/18.2.271 [PDF] [Request Permissions]  

William Ashbrook

La romanziera e l'uomo nero. Gaetano Donizetti
Opera Quarterly 2002 18: 273-274; doi:10.1093/oq/18.2.273 [PDF] [Request Permissions]  

Roland Graeme

Maria Stuarda. Gaetano Donizetti
Opera Quarterly 2002 18: 275-280; doi:10.1093/oq/18.2.275 [PDF] [Request Permissions]  

Roland Graeme

Alzira. Giuseppe Verdi
Opera Quarterly 2002 18: 280-283; doi:10.1093/oq/18.2.280 [PDF] [Request Permissions]  

Roger Pines

Carmen. Georges Bizet
Opera Quarterly 2002 18: 284-287; doi:10.1093/oq/18.2.284 [PDF] [Request Permissions]  

George Jellinek

Samson et Dalila. Camille Saint-Saëns
Opera Quarterly 2002 18: 287-288; doi:10.1093/oq/18.2.287 [PDF] [Request Permissions]  

William Fregosi

Zazà. Ruggero Leoncavallos
Opera Quarterly 2002 18: 288-291; doi:10.1093/oq/18.2.288 [PDF] [Request Permissions]  

Joe K. Law

Sir John in Love. Ralph Vaughan Williams
Opera Quarterly 2002 18: 291-295; doi:10.1093/oq/18.2.291 [PDF] [Request Permissions]  

Roland Graeme

Ramón Vargas:: Verdi Arias
Opera Quarterly 2002 18: 295-297; doi:10.1093/oq/18.2.295 [PDF] [Request Permissions]  

Recordings Received
Opera Quarterly 2002 18: 298-300; doi:10.1093/oq/18.2.298 [PDF] [Request Permissions]  

Rev. Stephen Woodland, John M. Gehl, Marilyn Cereghino, Bruce Burroughs, Andrew Farkas, Barrett Crawford, Joseph Hooker, and The Editor, The Opera Quarterly

Correspondence
Opera Quarterly 2002 18: 301-304; doi:10.1093/oq/18.2.301 [PDF] [Request Permissions]  

Contributors to This Issue
Opera Quarterly 2002 18: 305; doi:10.1093/oq/18.2.305 [PDF] [Request Permissions]  

Submission of Articles and Instructions to Authors
Opera Quarterly 2002 18: 306-307; doi:10.1093/oq/18.2.306 [PDF] [Request Permissions]  

Answers to OperaKrostik
Opera Quarterly 2002 18: 308; doi:10.1093/oq/18.2.308 [PDF] [Request Permissions]  

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