The Opera Quarterly

Articles

Quarter Notes
Opera Quarterly 2003 19: 327-330; doi:10.1093/oq/19.3.327 [PDF] [Request Permissions]  

Beth Hart

The Loves of Hector Berlioz, in His Life and in Les Troyens
Opera Quarterly 2003 19: 331-356; doi:10.1093/oq/19.3.331 [PDF] [Request Permissions]  

Robert Ignatius Letellier

Hector Berlioz and Giacomo Meyerbeer: A Complex Friendship Revisited
Opera Quarterly 2003 19: 357-392; doi:10.1093/oq/19.3.357 [PDF] [Request Permissions]  

Hector Berlioz: Opera Opinions
Opera Quarterly 2003 19: 393-400; doi:10.1093/oq/19.3.393 [PDF] [Request Permissions]  

Ora Frishberg Saloman

Literary and Musical Aspects of the Hero's Romance in Berlioz's Benvenuto Cellini
Opera Quarterly 2003 19: 401-416; doi:10.1093/oq/19.3.401 [PDF] [Request Permissions]  

Gregory Kunde and Linda Wojciechowski Kunde

Benvenuto Cellini in Zurich: A Rehearsal Diary
Opera Quarterly 2003 19: 417-426; doi:10.1093/oq/19.3.417 [PDF] [Request Permissions]  

Roger Pines

The Berlioz Operas on CD, Surveyed by Our Contributing Editors and Reviewers
Opera Quarterly 2003 19: 427-489; doi:10.1093/oq/19.3.427 [PDF] [Request Permissions]  

Joe K. Law

A Berlioz Bibliography
Opera Quarterly 2003 19: 490-494; doi:10.1093/oq/19.3.490 [PDF] [Request Permissions]  

Roy C. Dicks

A Review of the Met's New Troyens
Opera Quarterly 2003 19: 495-500; doi:10.1093/oq/19.3.495 [PDF] [Request Permissions]  

Alan W. Agol

OperaKrostik
Opera Quarterly 2003 19: 501-503; doi:10.1093/oq/19.3.501 [PDF] [Request Permissions]  

D. Kern Holoman

Berlioz's Semi-Operas: "Roméo et Juliette" and "La damnation de Faust"
Opera Quarterly 2003 19: 504-507; doi:10.1093/oq/19.3.504 [PDF] [Request Permissions]  

E. Thomas Glasow

Berlioz: Past, Present, Future—Bicentenary Essays
Opera Quarterly 2003 19: 507-509; doi:10.1093/oq/19.3.507 [PDF] [Request Permissions]  

Joe K. Law

The Cambridge Companion to Berlioz
Opera Quarterly 2003 19: 509-511; doi:10.1093/oq/19.3.509 [PDF] [Request Permissions]  

Lesley A. Wright

The Keys to French Opera in the Nineteenth Century
Opera Quarterly 2003 19: 511-514; doi:10.1093/oq/19.3.511 [PDF] [Request Permissions]  

Tom Kaufman

The Diaries of Giacomo Meyerbeer: 1791–1839
Opera Quarterly 2003 19: 514-520; doi:10.1093/oq/19.3.514 [PDF] [Request Permissions]  

Tom Kaufman

The Diaries of Giacomo Meyerbeer: The Prussian Years and "Le Prophète," 1840–1849
Opera Quarterly 2003 19: 514-520; doi:10.1093/oq/19.3.514-a [PDF] [Request Permissions]  

Tom Kaufman

The Diaries of Giacomo Meyerbeer: The Years of Celebrity, 1850–1856
Opera Quarterly 2003 19: 514-520; doi:10.1093/oq/19.3.514-b [PDF] [Request Permissions]  

Books Received
Opera Quarterly 2003 19: 520; doi:10.1093/oq/19.3.520 [PDF] [Request Permissions]  

Niel Rishoi

Les Troyens. Hector Berlioz
Opera Quarterly 2003 19: 521-525; doi:10.1093/oq/19.3.521 [PDF] [Request Permissions]  

E. Thomas Glasow

Les Troyens. Hector Berlioz
Opera Quarterly 2003 19: 525-527; doi:10.1093/oq/19.3.525 [PDF] [Request Permissions]  

DVDs Received
Opera Quarterly 2003 19: 527-528; doi:10.1093/oq/19.3.527 [PDF] [Request Permissions]  

Roger Pines

Four Glories of Interwar French Vocalism
Opera Quarterly 2003 19: 529-541; doi:10.1093/oq/19.3.529 [PDF] [Request Permissions]  

London Green

Théâtre Royal de la Monnaie: 300 Years of Opera in Brussels
Opera Quarterly 2003 19: 541-555; doi:10.1093/oq/19.3.541 [PDF] [Request Permissions]  

Roland Graeme

Orphée et Eurydice. Christoph Willibald Gluck (ed. Berlioz)
Opera Quarterly 2003 19: 555-560; doi:10.1093/oq/19.3.555 [PDF] [Request Permissions]  

Karen Henson

Robert le diable. Giacomo Meyerbeer
Opera Quarterly 2003 19: 560-563; doi:10.1093/oq/19.3.560 [PDF] [Request Permissions]  

Roger Parker

Roberto il diavolo. Giacomo Meyerbeer
Opera Quarterly 2003 19: 563-565; doi:10.1093/oq/19.3.563 [PDF] [Request Permissions]  

William Albright

La Juive. Jacques Fromental Halévy
Opera Quarterly 2003 19: 565-575; doi:10.1093/oq/19.3.565 [PDF] [Request Permissions]  

William Ashbrook

Four Vintage Fausts. Charles Gounod
Opera Quarterly 2003 19: 576-580; doi:10.1093/oq/19.3.576 [PDF] [Request Permissions]  

William Fregosi

La reine de Saba. Charles Gounod
Opera Quarterly 2003 19: 580-583; doi:10.1093/oq/19.3.580 [PDF] [Request Permissions]  

Robert Baxter

Ivan IV. Georges Bizet (ed. Williams)
Opera Quarterly 2003 19: 583-586; doi:10.1093/oq/19.3.583 [PDF] [Request Permissions]  

Joe K. Law

Three Hamlets. Ambroise Thomas
Opera Quarterly 2003 19: 587-591; doi:10.1093/oq/19.3.587 [PDF] [Request Permissions]  

London Green

Two Vintage Carmens. Georges Bizet
Opera Quarterly 2003 19: 591-594; doi:10.1093/oq/19.3.591 [PDF] [Request Permissions]  

William Fregosi

Les contes d'Hoffmann. Jacques Offenbach
Opera Quarterly 2003 19: 595-606; doi:10.1093/oq/19.3.595 [PDF] [Request Permissions]  

Karen Henson

Les Trésors Cachés de l'Opéra Français
Opera Quarterly 2003 19: 606-608; doi:10.1093/oq/19.3.606 [PDF] [Request Permissions]  

Roger Pines

Great French Heroic Tenors
Opera Quarterly 2003 19: 608-612; doi:10.1093/oq/19.3.608 [PDF] [Request Permissions]  

E. Thomas Glasow

Les nuits d'été. Hector Berlioz
Opera Quarterly 2003 19: 612-615; doi:10.1093/oq/19.3.612 [PDF] [Request Permissions]  

Recordings Received
Opera Quarterly 2003 19: 616-620; doi:10.1093/oq/19.3.616 [PDF] [Request Permissions]  

Contributors to This Issue
Opera Quarterly 2003 19: 621; doi:10.1093/oq/19.3.621 [PDF] [Request Permissions]  

Answers to OperaKrostik
Opera Quarterly 2003 19: 624; doi:10.1093/oq/19.3.624 [PDF] [Request Permissions]  

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