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Contents: Volume 22, Number 1, Winter 2006   [Index by Author] 

Down Erratum
Down A Note from the Guest Editors
Down Articles
Down Auditions
Down Notes from the Stage: Emio Greco | PC's Orfeo ed Euridice
Down Reviews
Down Scholarship
Down Performance
Down General Reviews
Down Books Received
Down Contributors to This Issue

 

Sound Moves

Guest edited by Stephanie Jordan and Simon Morrison



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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Erratum Back

Erratum
Opera Quarterly 2006 22: 1; doi:10.1093/oq/kbi110 [Full Text] [PDF] [Request Permissions]  

A Note from the Guest Editors Back

A Note from the Executive Editor:
The Opera Quarterly Advance Access published on December 22, 2006
Opera Quarterly 2006 22: 2; doi:10.1093/oq/kbi120 [Full Text] [PDF] [Request Permissions]  

Simon Morrison and Stephanie Jordan
A Note from the Guest Editors
The Opera Quarterly Advance Access published on December 20, 2006
Opera Quarterly 2006 22: 2-3; doi:10.1093/oq/kbi109 [Full Text] [PDF] [Request Permissions]  

Articles Back

Inger Damsholt
Mark Morris, Mickey Mouse, and Choreomusical Polemic
The Opera Quarterly Advance Access published on February 6, 2007
Opera Quarterly 2006 22: 4-21; doi:10.1093/oq/kbi119 [Full Text] [PDF] [Request Permissions]  

Daniel Albright
Golden Calves: The Role of Dance in Opera
The Opera Quarterly Advance Access published on November 30, 2006
Opera Quarterly 2006 22: 22-37; doi:10.1093/oq/kbi104 [Full Text] [PDF] [Request Permissions]  

Wayne Heisler, Jr.
Kitsch and the Ballet Schlagobers
The Opera Quarterly Advance Access published on January 4, 2007
Opera Quarterly 2006 22: 38-64; doi:10.1093/oq/kbi113 [Full Text] [PDF] [Request Permissions]  

Barbara White
"As if they didn’t hear the music," Or: How I Learned to Stop Worrying and Love Mickey Mouse
The Opera Quarterly Advance Access published on December 20, 2006
Opera Quarterly 2006 22: 65-89; doi:10.1093/oq/kbi108 [Full Text] [PDF] [Supplementary Data] [Request Permissions]  

Deborah Mawer
Balanchine’s La Valse: Meanings and Implications for Ravel Studies
The Opera Quarterly Advance Access published on February 6, 2007
Opera Quarterly 2006 22: 90-116; doi:10.1093/oq/kbi118 [Full Text] [PDF] [Request Permissions]  

Helen Julia Minors
Paul Dukas’ La Péri as Interpreted by Two Balletic Collaborators
The Opera Quarterly Advance Access published on January 24, 2007
Opera Quarterly 2006 22: 117-135; doi:10.1093/oq/kbi117 [Full Text] [PDF] [Request Permissions]  

Auditions Back

George Dorris
Balanchine on Stravinsky
The Opera Quarterly Advance Access published on January 22, 2007
Opera Quarterly 2006 22: 136-138; doi:10.1093/oq/kbi112 [Full Text] [PDF] [Request Permissions]  

George Balanchine
The Dance Element in Stravinsky’s Music
The Opera Quarterly Advance Access published on January 22, 2007
Opera Quarterly 2006 22: 138-143; doi:10.1093/oq/kbi114 [Full Text] [PDF] [Request Permissions]  

Notes from the Stage: Emio Greco | PC's Orfeo ed Euridice Back

Rebecca Rossen
Moving Through the Interspace
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 144-147; doi:10.1093/oq/kbi115 [Full Text] [PDF] [Request Permissions]  

Emio Greco and Pieter C. Scholten
Seven thoughts on Orfeo ed Euridice
The Opera Quarterly Advance Access published on January 17, 2007
Opera Quarterly 2006 22: 147-154; doi:10.1093/oq/kbi116 [Full Text] [PDF] [Request Permissions]  

Reviews Back

Gundula Kreuzer
A Note from the Reviews Editor
The Opera Quarterly Advance Access published on December 13, 2006
Opera Quarterly 2006 22: 155-156; doi:10.1093/oq/kbi105 [Full Text] [PDF] [Request Permissions]  

Scholarship Back

Davinia Caddy
Rethinking Dance History: A Reader, ed. Alexandra Carter
The Opera Quarterly Advance Access published on December 13, 2006
Opera Quarterly 2006 22: 156-165; doi:10.1093/oq/kbi106 [Full Text] [PDF] [Request Permissions]  

Performance Back

Wayne Heisler, Jr.
Kurt Weill and Bertolt Brecht: The Seven Deadly Sins (Die sieben Todsünden)
The Opera Quarterly Advance Access published on December 13, 2006
Opera Quarterly 2006 22: 165-169; doi:10.1093/oq/kbi107 [Full Text] [PDF] [Request Permissions]  

General Reviews Back

Matthew W. Smith
Michal Grover-Friedlander: Vocal Apparitions: The Attraction of Cinema to Opera
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 170-172; doi:10.1093/oq/kbi079 [Full Text] [PDF] [Request Permissions]  

Gene Cropsey
Beverly Soll: I Dream a World: The Operas of William Grant Still
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 173-176; doi:10.1093/oq/kbi080 [Full Text] [PDF] [Request Permissions]  

Robert Baxter
Aida. Giuseppe Verdi
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 176-179; doi:10.1093/oq/kbi081 [Full Text] [PDF] [Request Permissions]  

Robert Baxter
Ariadne auf Naxos. Richard Strauss
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 179-181; doi:10.1093/oq/kbi082 [Full Text] [PDF] [Request Permissions]  

Robert Baxter
Belisario. Gaetano Donizetti
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 182-184; doi:10.1093/oq/kbi083 [Full Text] [PDF] [Request Permissions]  

William Albright
Esclarmonde. Jules Massenet
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 184-185; doi:10.1093/oq/kbi084 [Full Text] [PDF] [Request Permissions]  

William Albright
James King: Scenes and arias from Fidelio, Lohengrin, Parsifal, Die Meistersinger von Nürnberg, Die Frau ohne Schatten, and Otello
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 185-187; doi:10.1093/oq/kbi085 [Full Text] [PDF] [Request Permissions]  

George Jellinek
Fernando Cortez. Gaspare Spontini
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 187-189; doi:10.1093/oq/kbi086 [Full Text] [PDF] [Request Permissions]  

George Jellinek
L’Italiana in Algeri. Gioachino Rossini
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 189-190; doi:10.1093/oq/kbi087 [Full Text] [PDF] [Request Permissions]  

George Jellinek
Rusalka. Antonín Dvorák
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 191-192; doi:10.1093/oq/kbi088 [Full Text] [PDF] [Request Permissions]  

Robert Baxter
I Puritani. Vincenzo Bellini • La vestale. Gaspare Spontini
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 192-195; doi:10.1093/oq/kbi089 [Full Text] [PDF] [Request Permissions]  

Robert Baxter
Elisabeth Schwarzkopf: The Beginning of a Legend • Elisabeth Schwarzkopf Recital 1
The Opera Quarterly Advance Access published on January 10, 2007
Opera Quarterly 2006 22: 195-200; doi:10.1093/oq/kbi090 [Full Text] [PDF] [Request Permissions]  

Books Received Back

Books Received
Opera Quarterly 2006 22: 201; doi:10.1093/oq/kbi111 [Full Text] [PDF] [Request Permissions]  

Contributors to This Issue Back

Contributors to This Issue
Opera Quarterly 2006 22: 202-203; doi:10.1093/oq/kbi121 [Full Text] [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.