The Opera Quarterly

Articles

THE EDITOR

Da Capo...
Opera Quarterly 1991 8: 1-3; doi:10.1093/oq/8.2.1 [PDF] [Request Permissions]  

JOHN PENNINO

Tetrazzini at the Tivoli: Success and Scandal in San Francisco
Opera Quarterly 1991 8: 4-26; doi:10.1093/oq/8.2.4 [PDF] [Request Permissions]  

JAMES A. DRAKE

Caruso on Caruso A Need Fulfilled
Opera Quarterly 1991 8: 27-46; doi:10.1093/oq/8.2.27 [PDF] [Request Permissions]  

DANIEL JACOBSON

Lotte Lehmann on Der Rosenkavalier Perspectives from Her Spoken and Painted Interpretations
Opera Quarterly 1991 8: 47-58; doi:10.1093/oq/8.2.47 [PDF] [Request Permissions]  

IGOR KIPNIS

Alexander Kipnis A Son Remembers His Father
Opera Quarterly 1991 8: 59-73; doi:10.1093/oq/8.2.59 [PDF] [Request Permissions]  

JAMES A. DRAKE

Kipnis Speaks An Interview with Alexander Kipnis
Opera Quarterly 1991 8: 74-94; doi:10.1093/oq/8.2.74 [PDF] [Request Permissions]  

William Ashbrook

Remembering Alexander Kipnis Three Distinguished Listeners Recall a Great Singer's Impact
Opera Quarterly 1991 8: 95-101; doi:10.1093/oq/8.2.95 [PDF] [Request Permissions]  

WILLIAM ALBRIGHT

Kipnis on Disc
Opera Quarterly 1991 8: 102-114; doi:10.1093/oq/8.2.102 [PDF] [Request Permissions]  

Kipnis Onstage The Operetic Career of Alexander Kipnis¹
Opera Quarterly 1991 8: 115-120; doi:10.1093/oq/8.2.115 [PDF] [Request Permissions]  

M. OWEN LEE

Quarterly Quiz The Tenor of His Time
Opera Quarterly 1991 8: 121-124; doi:10.1093/oq/8.2.121 [PDF] [Request Permissions]  

George Martin

Books
Opera Quarterly 1991 8: 125-130; doi:10.1093/oq/8.2.125 [PDF] [Request Permissions]  

Malcolm S. Cole

Books
Opera Quarterly 1991 8: 130-132; doi:10.1093/oq/8.2.130 [PDF] [Request Permissions]  

Christopher Hatch

Books
Opera Quarterly 1991 8: 133-134; doi:10.1093/oq/8.2.133 [PDF] [Request Permissions]  

George Martin

Books
Opera Quarterly 1991 8: 134-137; doi:10.1093/oq/8.2.134 [PDF] [Request Permissions]  

William Ashbrook

Books
Opera Quarterly 1991 8: 137-139; doi:10.1093/oq/8.2.137 [PDF] [Request Permissions]  

David E. Anderson

Books
Opera Quarterly 1991 8: 139-142; doi:10.1093/oq/8.2.139 [PDF] [Request Permissions]  

Thomas G. Kaufman

Books
Opera Quarterly 1991 8: 143-144; doi:10.1093/oq/8.2.143 [PDF] [Request Permissions]  

BOOKS RECEIVED
Opera Quarterly 1991 8: 145; doi:10.1093/oq/8.2.145 [PDF] [Request Permissions]  

Dale harris

Pikovata Dama Peter Ilich Tchaikovsky
Opera Quarterly 1991 8: 146-150; doi:10.1093/oq/8.2.146 [PDF] [Request Permissions]  

Ronald Graeme

Le roi dYs. Édouard Lalo
Opera Quarterly 1991 8: 150-153; doi:10.1093/oq/8.2.150 [PDF] [Request Permissions]  

Roger Pines

Hänsel und Gretel. Engelbert Humperdinck
Opera Quarterly 1991 8: 154-156; doi:10.1093/oq/8.2.154 [PDF] [Request Permissions]  

George Jellinek

Elektra. Richard Strauss
Opera Quarterly 1991 8: 156-157; doi:10.1093/oq/8.2.156 [PDF] [Request Permissions]  

Jon Alan Conrad

The Tender Land. Aaron Copland
Opera Quarterly 1991 8: 158-160; doi:10.1093/oq/8.2.158 [PDF] [Request Permissions]  

Malcolm S. Cole

Les malheurs d'Orphée. Darius Milhaud
Opera Quarterly 1991 8: 160-163; doi:10.1093/oq/8.2.160 [PDF] [Request Permissions]  

Alan Mallach

Nerone. Pietro Mascagni
Opera Quarterly 1991 8: 163-167; doi:10.1093/oq/8.2.163 [PDF] [Request Permissions]  

George Jellinek

Maria Egiziaca. Ottorino Respighi
Opera Quarterly 1991 8: 167-169; doi:10.1093/oq/8.2.167 [PDF] [Request Permissions]  

Joe K. Law

The Turn of the Screw. Benjamin Britten
Opera Quarterly 1991 8: 169-170; doi:10.1093/oq/8.2.169 [PDF] [Request Permissions]  

Jacinto Regalado

Edita Gruberová Opera Arias
Opera Quarterly 1991 8: 171-174; doi:10.1093/oq/8.2.171 [PDF] [Request Permissions]  

David McKee

Kiri Te Kanawa Italian Opera Arias
Opera Quarterly 1991 8: 174-176; doi:10.1093/oq/8.2.174 [PDF] [Request Permissions]  

Dennis W. Wakeling

Prima la musica e poi le parole. Antonio Salieri
Opera Quarterly 1991 8: 176-177; doi:10.1093/oq/8.2.176 [PDF] [Request Permissions]  

Rodney Shewan

Les Danaïdes. Antonio Salieri
Opera Quarterly 1991 8: 177-179; doi:10.1093/oq/8.2.177 [PDF] [Request Permissions]  

M. Owen Lee

Fierrabras. Franz Schubert
Opera Quarterly 1991 8: 179-181; doi:10.1093/oq/8.2.179 [PDF] [Request Permissions]  

George Jellinek

Ugo, Conte di Parigi. Gaetano Donizetti
Opera Quarterly 1991 8: 181-183; doi:10.1093/oq/8.2.181 [PDF] [Request Permissions]  

London Green

Beniamino Gigli: Three More Complete Recordings
Opera Quarterly 1991 8: 183-185; doi:10.1093/oq/8.2.183 [PDF] [Request Permissions]  

Dennis W. Wakeling

Mazeppa. Peter Ilich Tchaikovsky
Opera Quarterly 1991 8: 186-188; doi:10.1093/oq/8.2.186 [PDF] [Request Permissions]  

David E. Anderson

Der Sprung über den Schatten. Ernst Krenek
Opera Quarterly 1991 8: 189-192; doi:10.1093/oq/8.2.189 [PDF] [Request Permissions]  

RECORDINGS RECEIVED
Opera Quarterly 1991 8: 192-194; doi:10.1093/oq/8.2.192 [PDF] [Request Permissions]  

Answer to Quarterly Quiz
Opera Quarterly 1991 8: 194; doi:10.1093/oq/8.2.194 [PDF] [Request Permissions]  

Contributors to This Issue
Opera Quarterly 1991 8: 195; doi:10.1093/oq/8.2.195 [PDF] [Request Permissions]  

Contributing and Consulting Editors
Opera Quarterly 1991 8: 196-197; doi:10.1093/oq/8.2.196 [PDF] [Request Permissions]  

Submission of Articles and Instructions to Authors
Opera Quarterly 1991 8: 198; doi:10.1093/oq/8.2.198 [PDF] [Request Permissions]  

THE EDITOR

...al fine
Opera Quarterly 1991 8: 199-200; doi:10.1093/oq/8.2.199 [PDF] [Request Permissions]  

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