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Previous 		Contents: Volume 25, Number 3-4, summer-autumn 2009   [Index by Author] 

Down A Note from the Executive Editor
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Down Notes from the Stage
Down Performance
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

A Note from the Executive Editor Back

David J. Levin
A Note from the Executive Editor
The Opera Quarterly Advance Access published on December 17, 2009
Opera Quarterly 2009 25: 167-168; doi:10.1093/oq/kbp042 [Full Text] [PDF] [Request Permissions]  

Articles Back

Gabriela Cruz
Meyerbeer's Music of the Future
The Opera Quarterly Advance Access published on January 4, 2010
Opera Quarterly 2009 25: 169-202; doi:10.1093/oq/kbp047 [Full Text] [PDF] [Request Permissions]  

Gloria Staffieri
Grand Opéra in Preunified Italy: Metamorphoses of a Political Genre
The Opera Quarterly Advance Access published on December 21, 2009
Opera Quarterly 2009 25: 203-229; doi:10.1093/oq/kbp046 [Full Text] [PDF] [Request Permissions]  

Adrian Daub
"Taceat Mulier in Theatro": Guntram, Schopenhauer, and the Female Voice
The Opera Quarterly Advance Access published on December 9, 2009
Opera Quarterly 2009 25: 230-246; doi:10.1093/oq/kbp041 [Full Text] [PDF] [Request Permissions]  

Majel Connery
Peter Maxwell Davies' Worst Nightmare: Staging the Unsacred in the Operas Taverner and Resurrection
The Opera Quarterly Advance Access published on January 11, 2010
Opera Quarterly 2009 25: 247-269; doi:10.1093/oq/kbp040 [Full Text] [PDF] [Request Permissions]  

Robert Savage
On Truth and Semblance in an Operatic and Extra-operatic Sense: Michael Tippett's The Midsummer Marriage
The Opera Quarterly Advance Access published on December 9, 2009
Opera Quarterly 2009 25: 270-283; doi:10.1093/oq/kbp044 [Full Text] [PDF] [Request Permissions]  

Notes from the Stage Back

Sinéad O'Neill
Getting out of the House: Unorthodox Performance Spaces in Recent British and Irish Productions
The Opera Quarterly Advance Access published on December 9, 2009
Opera Quarterly 2009 25: 284-298; doi:10.1093/oq/kbp045 [Full Text] [PDF] [Request Permissions]  

Performance Back

Minou Arjomand
Giacomo Puccini: La bohème
The Opera Quarterly Advance Access published on December 9, 2009
Opera Quarterly 2009 25: 299-306; doi:10.1093/oq/kbp038 [Full Text] [PDF] [Request Permissions]  

Scholarship Back

Howard Pollack
Joy H. Calico: Brecht at the Opera
The Opera Quarterly Advance Access published on December 9, 2009
Opera Quarterly 2009 25: 307-311; doi:10.1093/oq/kbp043 [Full Text] [PDF] [Request Permissions]  

Christopher B. Balme
Bettina Knauer and Peter Krause, eds.: Von der Zukunft einer unmöglichen Kunst: 21 Perspektiven zum Musiktheater • Alexandra Garaventa: Regietheater in der Oper: Eine musiksoziologische Untersuchung am Beispiel der Stuttgarter Inszenierung von Wagners "Ring des Nibelungen"
The Opera Quarterly Advance Access published on December 9, 2009
Opera Quarterly 2009 25: 312-316; doi:10.1093/oq/kbp039 [Full Text] [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.