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<title><![CDATA[Philippe Boesmans: Julie]]></title>
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<title><![CDATA[Wagner in Pieces: Opera, the Fragment, and Acoustic Totality]]></title>
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<description><![CDATA[]]></description>
<dc:creator><![CDATA[Germano, W.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn046</dc:identifier>
<dc:title><![CDATA[Wagner in Pieces: Opera, the Fragment, and Acoustic Totality]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>294</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>277</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/295?rss=1">
<title><![CDATA[Sein oder Schein? Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/295?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Nielsen, N.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn042</dc:identifier>
<dc:title><![CDATA[Sein oder Schein? Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>310</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>295</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/311?rss=1">
<title><![CDATA[To the Mirror Image]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/311?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Bekker, P.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn043</dc:identifier>
<dc:title><![CDATA[To the Mirror Image]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>317</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>311</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/318?rss=1">
<title><![CDATA[Introduction to Zehelein]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/318?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Levin, D. J.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn051</dc:identifier>
<dc:title><![CDATA[Introduction to Zehelein]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>320</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>318</prism:startingPage>
<prism:section>Notes from the Stage</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/321?rss=1">
<title><![CDATA[The Stuttgart Ring, 1999-2000]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/321?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Zehelein, K.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn050</dc:identifier>
<dc:title><![CDATA[The Stuttgart Ring, 1999-2000]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>325</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>321</prism:startingPage>
<prism:section>Notes from the Stage</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/326?rss=1">
<title><![CDATA[An Introduction to Michael Levine's Sketchbook Drawings for the Toronto Ring]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/326?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Reichenbacher, H.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn053</dc:identifier>
<dc:title><![CDATA[An Introduction to Michael Levine's Sketchbook Drawings for the Toronto Ring]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>329</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>326</prism:startingPage>
<prism:section>Notes from the Stage</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/330?rss=1">
<title><![CDATA[Images from Michael Levine's Sketchbook]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/330?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Levine, M.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn057</dc:identifier>
<dc:title><![CDATA[Images from Michael Levine's Sketchbook]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>337</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>330</prism:startingPage>
<prism:section>Notes from the Stage</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/338?rss=1">
<title><![CDATA[Introduction to Lars von Trier's "Deed of Conveyance"]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/338?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Minor, R.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn039</dc:identifier>
<dc:title><![CDATA[Introduction to Lars von Trier's "Deed of Conveyance"]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>340</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>338</prism:startingPage>
<prism:section>Notes from the Stage</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/341?rss=1">
<title><![CDATA[Deed of Conveyance]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/341?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[von Trier, L.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn038</dc:identifier>
<dc:title><![CDATA[Deed of Conveyance]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>347</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>341</prism:startingPage>
<prism:section>Notes from the Stage</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/348?rss=1">
<title><![CDATA[Christian Thorau: Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/348?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Rehding, A.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn031</dc:identifier>
<dc:title><![CDATA[Christian Thorau: Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>351</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>348</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/352?rss=1">
<title><![CDATA[Dieter Thoma: Totalitat und Mitleid: Richard Wagner, Sergej Eisenstein, und unsere ethisch-asthetische Moderne * Tobias Janz: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners "Ring des Nibelungen"]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/352?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Powell, L.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn034</dc:identifier>
<dc:title><![CDATA[Dieter Thoma: Totalitat und Mitleid: Richard Wagner, Sergej Eisenstein, und unsere ethisch-asthetische Moderne * Tobias Janz: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners "Ring des Nibelungen"]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>359</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>352</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/360?rss=1">
<title><![CDATA[Patrick Carnegy: Wagner and the Art of the Theatre]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/360?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Grey, T.]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn033</dc:identifier>
<dc:title><![CDATA[Patrick Carnegy: Wagner and the Art of the Theatre]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>367</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>360</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/2-3/368?rss=1">
<title><![CDATA[Note]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/2-3/368?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2009-01-29</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbp003</dc:identifier>
<dc:title><![CDATA[Note]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2-3</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>368</prism:endingPage>
<prism:publicationDate>2007-03-01</prism:publicationDate>
<prism:startingPage>368</prism:startingPage>
<prism:section>Note</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/1?rss=1">
<title><![CDATA[Staging the Nation: Race, Religion, and History in Mexican Opera of the 1940s]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/1?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Saavedra, L.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn018</dc:identifier>
<dc:title><![CDATA[Staging the Nation: Race, Religion, and History in Mexican Opera of the 1940s]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>21</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>1</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/22?rss=1">
<title><![CDATA[Quakers and Cowboys: Italian Mythologies and Stereotypes of Americans from Piccinni to Puccini]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/22?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Polzonetti, P.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn017</dc:identifier>
<dc:title><![CDATA[Quakers and Cowboys: Italian Mythologies and Stereotypes of Americans from Piccinni to Puccini]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>38</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>22</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/39?rss=1">
<title><![CDATA[To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/39?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Preston, K. K.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn026</dc:identifier>
<dc:title><![CDATA[To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>65</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>39</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/66?rss=1">
<title><![CDATA[The Great American Opera: Klinghoffer, Streetcar, and the Exception]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/66?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Kramer, L.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn015</dc:identifier>
<dc:title><![CDATA[The Great American Opera: Klinghoffer, Streetcar, and the Exception]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>80</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>66</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/81?rss=1">
<title><![CDATA[The Voice of American Opera]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/81?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Midgette, A.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn005</dc:identifier>
<dc:title><![CDATA[The Voice of American Opera]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>95</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>81</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/96?rss=1">
<title><![CDATA[Mussorgsky in the Extreme]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/96?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Stewart, G.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn006</dc:identifier>
<dc:title><![CDATA[Mussorgsky in the Extreme]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>102</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>96</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/96-a?rss=1">
<title><![CDATA[An Introduction]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/96-a?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Levin, D. J.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn024</dc:identifier>
<dc:title><![CDATA[An Introduction]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>96</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>96</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/103?rss=1">
<title><![CDATA[Notes from (the Road to) the Stage]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/103?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Preston, K. K.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn025</dc:identifier>
<dc:title><![CDATA[Notes from (the Road to) the Stage]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>119</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>103</prism:startingPage>
<prism:section>Notes from (the Road to) the Stage</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/120?rss=1">
<title><![CDATA[Roberta Montemorra Marvin and Downing A. Thomas, eds.: Operatic Migrations: Transforming Works and Crossing Boundaries]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/120?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Morris, C.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn016</dc:identifier>
<dc:title><![CDATA[Roberta Montemorra Marvin and Downing A. Thomas, eds.: Operatic Migrations: Transforming Works and Crossing Boundaries]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>126</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>120</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/126?rss=1">
<title><![CDATA[Brian S. Locke: Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/126?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Cohen, G. B.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn021</dc:identifier>
<dc:title><![CDATA[Brian S. Locke: Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>130</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>126</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/130?rss=1">
<title><![CDATA[Philip Brett: Music and Sexuality in Britten: Selected Essays, ed. George E. Haggerty]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/130?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Wiebe, H.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn020</dc:identifier>
<dc:title><![CDATA[Philip Brett: Music and Sexuality in Britten: Selected Essays, ed. George E. Haggerty]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>136</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>130</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/137?rss=1">
<title><![CDATA[Giuseppe Verdi: Simon Boccanegra]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/137?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Senici, E.]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn019</dc:identifier>
<dc:title><![CDATA[Giuseppe Verdi: Simon Boccanegra]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>143</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>137</prism:startingPage>
<prism:section>Performance</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/23/1/144?rss=1">
<title><![CDATA[Books Received]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/23/1/144?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2008-09-10</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn023</dc:identifier>
<dc:title><![CDATA[Books Received]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>23</prism:volume>
<prism:endingPage>144</prism:endingPage>
<prism:publicationDate>2007-12-01</prism:publicationDate>
<prism:startingPage>144</prism:startingPage>
<prism:section>Books Received</prism:section>
</item>

</rdf:RDF>