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<title><![CDATA[Opera in the Americas/American Opera: An Introduction]]></title>
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<dc:title><![CDATA[Opera in the Americas/American Opera: An Introduction]]></dc:title>
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<title><![CDATA[Amerikamude/Europamude: The Very Idea of American Opera]]></title>
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<dc:title><![CDATA[Amerikamude/Europamude: The Very Idea of American Opera]]></dc:title>
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<title><![CDATA["La musica de dos orbes": A Context for the First Opera of the Americas]]></title>
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<dc:title><![CDATA["La musica de dos orbes": A Context for the First Opera of the Americas]]></dc:title>
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<title><![CDATA[Ginastera's Bomarzo in the United States and the Impotence of the Pan-American Dream]]></title>
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<dc:title><![CDATA[Ginastera's Bomarzo in the United States and the Impotence of the Pan-American Dream]]></dc:title>
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<title><![CDATA[The Industrial Evolution of the Arts: Chicago's Auditorium Building (1889-) as Cultural Machine]]></title>
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<dc:creator><![CDATA[Clague, M.]]></dc:creator>
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<dc:title><![CDATA[The Industrial Evolution of the Arts: Chicago's Auditorium Building (1889-) as Cultural Machine]]></dc:title>
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<title><![CDATA[Brecht on Opera and/in the Americas]]></title>
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<dc:creator><![CDATA[Calico, J. H.]]></dc:creator>
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<dc:title><![CDATA[Brecht on Opera and/in the Americas]]></dc:title>
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<title><![CDATA[Writing American Opera: William Bolcom on Music, Language, and Theater]]></title>
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<dc:creator><![CDATA[Herwitz, D.]]></dc:creator>
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<dc:title><![CDATA[Writing American Opera: William Bolcom on Music, Language, and Theater]]></dc:title>
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<title><![CDATA[Opera for the Media Age: Composer Robert Ashley on Television Opera]]></title>
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<dc:creator><![CDATA[Michaels, B.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/oq/kbn009</dc:identifier>
<dc:title><![CDATA[Opera for the Media Age: Composer Robert Ashley on Television Opera]]></dc:title>
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<prism:number>3-4</prism:number>
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<title><![CDATA[Interview with Robert Ashley * New York, April 23, 2003]]></title>
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<dc:creator><![CDATA[Michaels, B.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/oq/kbn010</dc:identifier>
<dc:title><![CDATA[Interview with Robert Ashley * New York, April 23, 2003]]></dc:title>
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<prism:number>3-4</prism:number>
<prism:volume>22</prism:volume>
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<title><![CDATA[Three Faces of Opera Study: Reception, Money, Performing Practice]]></title>
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<dc:creator><![CDATA[Lindenberger, H.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/oq/kbn013</dc:identifier>
<dc:title><![CDATA[Three Faces of Opera Study: Reception, Money, Performing Practice]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
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<title><![CDATA[Jessica Waldoff: Recognition in Mozart's Operas * David Cairns: Mozart and His Operas]]></title>
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<dc:creator><![CDATA[Redford, B.]]></dc:creator>
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<dc:title><![CDATA[Jessica Waldoff: Recognition in Mozart's Operas * David Cairns: Mozart and His Operas]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>22</prism:volume>
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<title><![CDATA[Marrying Figaro: A Review of Three Productions on DVD]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/3-4/564?rss=1</link>
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<dc:creator><![CDATA[Brooks, P.]]></dc:creator>
<dc:date>2008-08-07</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn012</dc:identifier>
<dc:title><![CDATA[Marrying Figaro: A Review of Three Productions on DVD]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>22</prism:volume>
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<title><![CDATA[Wolfgang Amadeus Mozart: La clemenza di Tito]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/3-4/571?rss=1</link>
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<dc:creator><![CDATA[Sacau, E.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/oq/kbn014</dc:identifier>
<dc:title><![CDATA[Wolfgang Amadeus Mozart: La clemenza di Tito]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
<prism:volume>22</prism:volume>
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<title><![CDATA[Books Received]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/3-4/575?rss=1</link>
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<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2008-08-07</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbn022</dc:identifier>
<dc:title><![CDATA[Books Received]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>3-4</prism:number>
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<title><![CDATA[A Note from the Guest Editors]]></title>
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<dc:creator><![CDATA[Hyer, B., Minor, R.]]></dc:creator>
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<dc:identifier>info:doi/10.1093/oq/kbl007</dc:identifier>
<dc:title><![CDATA[A Note from the Guest Editors]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
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<title><![CDATA[The Talking Wound and the Foolish Question: Symbolization in Parsifal]]></title>
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<dc:creator><![CDATA[Kramer, L.]]></dc:creator>
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<dc:title><![CDATA[The Talking Wound and the Foolish Question: Symbolization in Parsifal]]></dc:title>
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<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>229</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>208</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/230?rss=1">
<title><![CDATA[Hexatonic Poles and the Uncanny in Parsifal]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/230?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Cohn, R.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl008</dc:identifier>
<dc:title><![CDATA[Hexatonic Poles and the Uncanny in Parsifal]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>248</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>230</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/249?rss=1">
<title><![CDATA[Parsifal's Promise or Parsifal's Reality?: On the Politics of Voice Exchange in Wagner's Grail Operas]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/249?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Minor, R.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl006</dc:identifier>
<dc:title><![CDATA[Parsifal's Promise or Parsifal's Reality?: On the Politics of Voice Exchange in Wagner's Grail Operas]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>268</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>249</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/269?rss=1">
<title><![CDATA[Parsifal hysterique]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/269?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Hyer, B.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl009</dc:identifier>
<dc:title><![CDATA[Parsifal hysterique]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>320</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>269</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/321?rss=1">
<title><![CDATA[An Introduction to Oskar Panizza's "Bayreuth and Homosexuality" (1895): "Checkmate," or, "A Heavenly Tragedy" and its Earthly Consequences]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/321?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Vetter, I.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl011</dc:identifier>
<dc:title><![CDATA[An Introduction to Oskar Panizza's "Bayreuth and Homosexuality" (1895): "Checkmate," or, "A Heavenly Tragedy" and its Earthly Consequences]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>323</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>321</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/324?rss=1">
<title><![CDATA[Bayreuth and Homosexuality: A Reflection]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/324?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Panizza, O.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl012</dc:identifier>
<dc:title><![CDATA[Bayreuth and Homosexuality: A Reflection]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>328</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>324</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/328?rss=1">
<title><![CDATA[Homosexuality and the Manly Absolute: Hanns Fuchs on Richard Wagner]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/328?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Morris, M.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl013</dc:identifier>
<dc:title><![CDATA[Homosexuality and the Manly Absolute: Hanns Fuchs on Richard Wagner]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>333</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>328</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/334?rss=1">
<title><![CDATA[Parsifal and Eroticism in Wagner's Music [1903]]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/334?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Fuchs, H.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbm001</dc:identifier>
<dc:title><![CDATA[Parsifal and Eroticism in Wagner's Music [1903]]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>344</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>334</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/345?rss=1">
<title><![CDATA[An Introduction]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/345?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Levin, D. J.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl015</dc:identifier>
<dc:title><![CDATA[An Introduction]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>348</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>345</prism:startingPage>
<prism:section>Notes from the Stage: Parsifal</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/349?rss=1">
<title><![CDATA[Parsifal: A Workshop Conversation with Ruth Berghaus, Michael Gielen, Klaus Zehelein, and Axel Manthey]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/349?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Kaiser, K., Maskarinec, M., Levin, D.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl017</dc:identifier>
<dc:title><![CDATA[Parsifal: A Workshop Conversation with Ruth Berghaus, Michael Gielen, Klaus Zehelein, and Axel Manthey]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>360</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>349</prism:startingPage>
<prism:section>Notes from the Stage: Parsifal</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/360?rss=1">
<title><![CDATA[Theater Becomes a Political Event: "Parsifal as a document from the year 1882"]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/360?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Konwitschny, P.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl014</dc:identifier>
<dc:title><![CDATA[Theater Becomes a Political Event: "Parsifal as a document from the year 1882"]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>362</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>360</prism:startingPage>
<prism:section>Notes from the Stage: Parsifal</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/363?rss=1">
<title><![CDATA[William Kinderman and Katherine Syer eds. A Companion to Wagner's "Parsifal,"]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/363?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Rings, S.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl001</dc:identifier>
<dc:title><![CDATA[William Kinderman and Katherine Syer eds. A Companion to Wagner's "Parsifal,"]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>369</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>363</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/369?rss=1">
<title><![CDATA[Solveig Olsen: Hans Jurgen Syberberg and His Film of Wagner's "Parsifal,"]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/369?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Joe, J.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl004</dc:identifier>
<dc:title><![CDATA[Solveig Olsen: Hans Jurgen Syberberg and His Film of Wagner's "Parsifal,"]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>375</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>369</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/375?rss=1">
<title><![CDATA[Richard Wagner: Parsifal]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/375?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Sharon, Y.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl002</dc:identifier>
<dc:title><![CDATA[Richard Wagner: Parsifal]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>380</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>375</prism:startingPage>
<prism:section>Performance</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/380?rss=1">
<title><![CDATA[Richard Wagner: Parsifal]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/380?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Fordyce, E.]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl003</dc:identifier>
<dc:title><![CDATA[Richard Wagner: Parsifal]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>390</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>380</prism:startingPage>
<prism:section>Performance</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/391?rss=1">
<title><![CDATA[Books Received]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/391?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl005</dc:identifier>
<dc:title><![CDATA[Books Received]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>391</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>391</prism:startingPage>
<prism:section>Books Received</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/2/392?rss=1">
<title><![CDATA[Contributors to This Issue]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/2/392?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2007-11-01</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbl018</dc:identifier>
<dc:title><![CDATA[Contributors to This Issue]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>2</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>393</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>392</prism:startingPage>
<prism:section>Contributors to This Issue</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/1?rss=1">
<title><![CDATA[Erratum]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/1?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi110</dc:identifier>
<dc:title><![CDATA[Erratum]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>1</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>1</prism:startingPage>
<prism:section>Erratum</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/2?rss=1">
<title><![CDATA[A Note from the Executive Editor:]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/2?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi120</dc:identifier>
<dc:title><![CDATA[A Note from the Executive Editor:]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>2</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>2</prism:startingPage>
<prism:section>A Note from the Guest Editors</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/2-a?rss=1">
<title><![CDATA[A Note from the Guest Editors]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/2-a?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Morrison, S., Jordan, S.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi109</dc:identifier>
<dc:title><![CDATA[A Note from the Guest Editors]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>3</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>2</prism:startingPage>
<prism:section>A Note from the Guest Editors</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/4?rss=1">
<title><![CDATA[Mark Morris, Mickey Mouse, and Choreomusical Polemic]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/4?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Damsholt, I.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi119</dc:identifier>
<dc:title><![CDATA[Mark Morris, Mickey Mouse, and Choreomusical Polemic]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>21</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>4</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/22?rss=1">
<title><![CDATA[Golden Calves: The Role of Dance in Opera]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/22?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Albright, D.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi104</dc:identifier>
<dc:title><![CDATA[Golden Calves: The Role of Dance in Opera]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>37</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>22</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/38?rss=1">
<title><![CDATA[Kitsch and the Ballet Schlagobers]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/38?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Heisler, W.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi113</dc:identifier>
<dc:title><![CDATA[Kitsch and the Ballet Schlagobers]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>64</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>38</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/65?rss=1">
<title><![CDATA["As if they didn't hear the music," Or: How I Learned to Stop Worrying and Love Mickey Mouse]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/65?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[White, B.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi108</dc:identifier>
<dc:title><![CDATA["As if they didn't hear the music," Or: How I Learned to Stop Worrying and Love Mickey Mouse]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>89</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>65</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/90?rss=1">
<title><![CDATA[Balanchine's La Valse: Meanings and Implications for Ravel Studies]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/90?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Mawer, D.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi118</dc:identifier>
<dc:title><![CDATA[Balanchine's La Valse: Meanings and Implications for Ravel Studies]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>116</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>90</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/117?rss=1">
<title><![CDATA[Paul Dukas' La Peri as Interpreted by Two Balletic Collaborators]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/117?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Minors, H. J.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi117</dc:identifier>
<dc:title><![CDATA[Paul Dukas' La Peri as Interpreted by Two Balletic Collaborators]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>135</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>117</prism:startingPage>
<prism:section>Articles</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/136?rss=1">
<title><![CDATA[Balanchine on Stravinsky]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/136?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Dorris, G.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi112</dc:identifier>
<dc:title><![CDATA[Balanchine on Stravinsky]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>138</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>136</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/138?rss=1">
<title><![CDATA[The Dance Element in Stravinsky's Music]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/138?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Balanchine, G.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi114</dc:identifier>
<dc:title><![CDATA[The Dance Element in Stravinsky's Music]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>143</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>138</prism:startingPage>
<prism:section>Auditions</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/144?rss=1">
<title><![CDATA[Moving Through the Interspace]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/144?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Rossen, R.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi115</dc:identifier>
<dc:title><![CDATA[Moving Through the Interspace]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>147</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>144</prism:startingPage>
<prism:section>Notes from the Stage: Emio Greco | PC's Orfeo ed Euridice</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/147?rss=1">
<title><![CDATA[Seven thoughts on Orfeo ed Euridice]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/147?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Greco, E., Scholten, P. C.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi116</dc:identifier>
<dc:title><![CDATA[Seven thoughts on Orfeo ed Euridice]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>154</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>147</prism:startingPage>
<prism:section>Notes from the Stage: Emio Greco | PC's Orfeo ed Euridice</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/155?rss=1">
<title><![CDATA[A Note from the Reviews Editor]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/155?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Kreuzer, G.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi105</dc:identifier>
<dc:title><![CDATA[A Note from the Reviews Editor]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>156</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>155</prism:startingPage>
<prism:section>Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/156?rss=1">
<title><![CDATA[Rethinking Dance History: A Reader, ed. Alexandra Carter]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/156?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Caddy, D.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi106</dc:identifier>
<dc:title><![CDATA[Rethinking Dance History: A Reader, ed. Alexandra Carter]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>165</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>156</prism:startingPage>
<prism:section>Scholarship</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/165?rss=1">
<title><![CDATA[Kurt Weill and Bertolt Brecht: The Seven Deadly Sins (Die sieben Todsunden)]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/165?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Heisler, W.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi107</dc:identifier>
<dc:title><![CDATA[Kurt Weill and Bertolt Brecht: The Seven Deadly Sins (Die sieben Todsunden)]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>169</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>165</prism:startingPage>
<prism:section>Performance</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/170?rss=1">
<title><![CDATA[Michal Grover-Friedlander: Vocal Apparitions: The Attraction of Cinema to Opera]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/170?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Smith, M. W.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi079</dc:identifier>
<dc:title><![CDATA[Michal Grover-Friedlander: Vocal Apparitions: The Attraction of Cinema to Opera]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>172</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>170</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/173?rss=1">
<title><![CDATA[Beverly Soll: I Dream a World: The Operas of William Grant Still]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/173?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Cropsey, G.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi080</dc:identifier>
<dc:title><![CDATA[Beverly Soll: I Dream a World: The Operas of William Grant Still]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>176</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>173</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/176?rss=1">
<title><![CDATA[Aida. Giuseppe Verdi]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/176?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Baxter, R.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi081</dc:identifier>
<dc:title><![CDATA[Aida. Giuseppe Verdi]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>179</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>176</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/179?rss=1">
<title><![CDATA[Ariadne auf Naxos. Richard Strauss]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/179?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Baxter, R.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi082</dc:identifier>
<dc:title><![CDATA[Ariadne auf Naxos. Richard Strauss]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>181</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>179</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/182?rss=1">
<title><![CDATA[Belisario. Gaetano Donizetti]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/182?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Baxter, R.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi083</dc:identifier>
<dc:title><![CDATA[Belisario. Gaetano Donizetti]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>184</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>182</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/184?rss=1">
<title><![CDATA[Esclarmonde. Jules Massenet]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/184?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Albright, W.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi084</dc:identifier>
<dc:title><![CDATA[Esclarmonde. Jules Massenet]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>185</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>184</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/185?rss=1">
<title><![CDATA[James King: Scenes and arias from Fidelio, Lohengrin, Parsifal, Die Meistersinger von Nurnberg, Die Frau ohne Schatten, and Otello]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/185?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Albright, W.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi085</dc:identifier>
<dc:title><![CDATA[James King: Scenes and arias from Fidelio, Lohengrin, Parsifal, Die Meistersinger von Nurnberg, Die Frau ohne Schatten, and Otello]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>187</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>185</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/187?rss=1">
<title><![CDATA[Fernando Cortez. Gaspare Spontini]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/187?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Jellinek, G.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi086</dc:identifier>
<dc:title><![CDATA[Fernando Cortez. Gaspare Spontini]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>189</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>187</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/189?rss=1">
<title><![CDATA[L'Italiana in Algeri. Gioachino Rossini]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/189?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Jellinek, G.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi087</dc:identifier>
<dc:title><![CDATA[L'Italiana in Algeri. Gioachino Rossini]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>190</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>189</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/191?rss=1">
<title><![CDATA[Rusalka. Antonin Dvorak]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/191?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Jellinek, G.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi088</dc:identifier>
<dc:title><![CDATA[Rusalka. Antonin Dvorak]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>192</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>191</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/192?rss=1">
<title><![CDATA[I Puritani. Vincenzo Bellini * La vestale. Gaspare Spontini]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/192?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Baxter, R.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi089</dc:identifier>
<dc:title><![CDATA[I Puritani. Vincenzo Bellini * La vestale. Gaspare Spontini]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>195</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>192</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/195?rss=1">
<title><![CDATA[Elisabeth Schwarzkopf: The Beginning of a Legend * Elisabeth Schwarzkopf Recital 1]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/195?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[Baxter, R.]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi090</dc:identifier>
<dc:title><![CDATA[Elisabeth Schwarzkopf: The Beginning of a Legend * Elisabeth Schwarzkopf Recital 1]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>200</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>195</prism:startingPage>
<prism:section>General Reviews</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/201?rss=1">
<title><![CDATA[Books Received]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/201?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi111</dc:identifier>
<dc:title><![CDATA[Books Received]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>201</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>201</prism:startingPage>
<prism:section>Books Received</prism:section>
</item>

<item rdf:about="http://oq.oxfordjournals.org/cgi/content/short/22/1/202?rss=1">
<title><![CDATA[Contributors to This Issue]]></title>
<link>http://oq.oxfordjournals.org/cgi/content/short/22/1/202?rss=1</link>
<description><![CDATA[]]></description>
<dc:creator><![CDATA[]]></dc:creator>
<dc:date>2007-02-14</dc:date>
<dc:identifier>info:doi/10.1093/oq/kbi121</dc:identifier>
<dc:title><![CDATA[Contributors to This Issue]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
<prism:number>1</prism:number>
<prism:volume>22</prism:volume>
<prism:endingPage>203</prism:endingPage>
<prism:publicationDate>2006-01-01</prism:publicationDate>
<prism:startingPage>202</prism:startingPage>
<prism:section>Contributors to This Issue</prism:section>
</item>

</rdf:RDF>